Scott Barley's apocalyptic Hinterlands is an experimental landscape film, comprised of a series of shots of a sunset, partially obstructed by two rows of trees, which suddenly and violently becomes an abstract whirl of red, green, and black.
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"Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown." scottbarleyfilm.com
